The output of each is mixed in the analogue domain. Peek inside a DMX and you’ll see a series of individual voice boards that can be independently tuned up or down. In general, the earlier (or cheaper) the machine, the lower its maximum bit depth and sample rate.Ĩ-bit digital drum machines include the Linn LM-1 and Oberheim DMX (both introduced in 1980), using samples recorded at 28 kHz or less. ![]() The Akai MPC60: a 12-bit classic History Class
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